 Irene Anton, Intervention Invading Network - Net No. 71, K.art ART Days, Autumn 2024, Kränzelhof, Tscherms, South Tyrol, Italy
        Irene Anton, Intervention Invading Network - Net No. 71, K.art ART Days, Autumn 2024, Kränzelhof, Tscherms, South Tyrol, Italy
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        Irene Anton, Intervention Invading Network - Net No. 71, K.art ART Days, Autumn 2024, Kränzelhof, Tscherms, South Tyrol, Italy
        Irene Anton, Intervention Invading Network - Net No. 71, K.art ART Days, Autumn 2024, Kränzelhof, Tscherms, South Tyrol, Italy
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             Irene Anton, Fading and Fractals,  AiNIN Symposium, Autumn 2024, Hoeve de Linde, Vaals, Netherlands
        Irene Anton, Fading and Fractals,  AiNIN Symposium, Autumn 2024, Hoeve de Linde, Vaals, Netherlands
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        Irene Anton, Fading and Fractals,  AiNIN Symposium, Autumn 2024, Hoeve de Linde, Vaals, Netherlands
        Irene Anton, Fading and Fractals,  AiNIN Symposium, Autumn 2024, Hoeve de Linde, Vaals, Netherlands
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             2007, Lemon Tree I, Clothesline, 1200 real lemons, plastic nets, 240cm Dm, Sculpture by the Sea, Sydney, Australia
        In my sculptures the yellow colour playes an important role. I am fascinated by this colour and it’s energy, which is a symbol for light, sun and south. I transform it into a three-dimensional shape,into various sculptures and  nstalltions. Many of my works are sitespecific and I very often use simple material like papermaché or natural material like real lemons or a dead tree.
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        2007, Lemon Tree I, Clothesline, 1200 real lemons, plastic nets, 240cm Dm, Sculpture by the Sea, Sydney, Australia
        In my sculptures the yellow colour playes an important role. I am fascinated by this colour and it’s energy, which is a symbol for light, sun and south. I transform it into a three-dimensional shape,into various sculptures and  nstalltions. Many of my works are sitespecific and I very often use simple material like papermaché or natural material like real lemons or a dead tree.
        More